Critical Animals submissions for 2009 have closed

April 28, 2009 by adenrolfe

Thanks to everyone who submitted a proposal or flagged their interest in being involved with the symposium this year. Over the next few weeks we’ll be poring over the many projects, papers, presentations, performances, exhibitions and installations that various individuals and collectives have proposed.

 

If you submitted an application, you should have by now received confirmation of this. Please contact us if you feel you’ve gone awry.

 

We will be notifying artists about their applications in early June. We may get in contact in the meantime if we require more information about your proposal, but otherwise, sit tight.

 

If you have indicated an interest in being involved in Critical Animals but have not submitted a formal proposal, we likewise thank you. We will be getting in touch with people on a case-by-case basis to discuss how you might be involved.

 

If you need to contact us regarding your proposal or flagged interest, please email criticalanimals@gmail.com

Call for Proposals for Critical Animals 2009

February 9, 2009 by rubyleaves

CRITICAL ANIMALS 2009 – CALL FOR PROPOSALS


Critical Animals, the creative research symposium held during This Is Not Art, is now calling for proposals for papers, panels, presentations, performances and exhibits.


SUBMISSIONS CLOSE MARCH 31, 2009


The symposium brings together students, researchers, writers and artists who are critically engaged in creative and experimental art practices. It is an opportunity to present papers, research material and creative practice with the thought to create discussion and collaboration. All artists, writers, thinkers and part-time philosophers are encouraged to apply. The symposium will take place over three days, from Thursday 1 to Saturday 3 October, in Newcastle, NSW.

Critical Animals is calling for proposals in the following areas:


Papers, panels, presentations
We are keen to receive proposals from artists and students who are researching specific areas of theory and philosophy. Experimental and/or creative presentations are encouraged.
We welcome research material on poetics, politics and aesthetics. Please also let us know if there is a particular area of study which you are keen to see represented by Critical Animals, even if it is at the starting blocks of brilliance.

Performances, exhibits, events
We invite artists to perform or exhibit their work. We are especially interested in performances, installations and visual art exhibitions which can be organised alongside conversation or interacted with by other thinkers/artists. This is also a place to propose a Critical Animals events: readings, explorations, tours; beer and Baudrillard at the pub, perhaps.

PROPOSALS

In your proposal please outline your work and the way in which you would like to present it (up to 500 words). Where possible, be specific. Where this isn’t possible, be honest. Critical Animals is not just a conference to present a paper, but a forum for discussion between different artists and research practices. In assessing your proposal we will be looking at how we can program you and your work to form interesting conjunctions with other artists and thinkers. We’re also looking for artists who can be involved in cross-festival events and panels with artists from the other TiNA programs.


Please also include your:
  • Name
  • Address
  • Phone number
  • Email
  • Short bio (25 words)
  • If you would like to be programmed across more than one festival please indicate which: (please highlight)

National Young Writers Festival   Electrofringe   Sound Summit   Crack Theatre Festival

  • A picture of yourself – can be you in connection with your practice or just a casual photo (for marketing and publicity reasons)
If you would like to be involved with Critical Animals but you do not have a proposal, contact us anyway. Likewise, try to be specific in how you’d like to be involved. We may be able to find a suitable event for you to get onboard.

Submit proposals, questions, ideas and concerns to criticalanimals@gmail.com


Cheers,
Britt Guy
and Aden Rolfe

<< criticalanimals.wordpress.com >>

December 3, 2008 by rubyleaves

Day 2

Reflection of Critical Animals 2008

December 3, 2008 by rubyleaves

Day 1

some artist pics

September 15, 2008 by banalasanything
michael farrell

michael farrell

patrick jones & meg ulman

patrick jones & meg ulman

nathan curnow

nathan curnow

ekphrastic agency

ekphrastic agency

even books

even books

toni bartlett

toni bartlett

aunty jenny’s tent city at tina 2008

September 15, 2008 by banalasanything

This Is Not Art has set up a temporary Campground to provide festival goers with the cheapest accommodation option for the festival – $10 per person per night, open on Thursday, Friday, Saturday and Sunday nights. The Campground is for those in tents, swags, vans and trucks, or those who wanted to sleep under the stars.

So, if you were unsure whether you could afford to stay for the whole five days of the festival – we’ve just answered your question! Other budget accommodation options in Newcastle usually book out over the festival period – but you can guarantee yourself a place to sleep by booking into Tent City – there is room for up to 500 people.

Its lo-fi and BYO everything, but Aunty Jenny and her team of lovely volunteers will do their best to make it feel like your home away from home – hot showers, cups of tea, and happy campers all around!

This year the Campground is located just a short distance outside of the Newcastle city centre at a new location – Adamstown Oval. It was chosen for its excellent amenities, its secure and safe grounds, and its proximity to shops and public transport. It is approx 25 minutes bicycle ride, 15-20 minutes on a public bus and 10 minutes by car/cab to the Festival Club.

Aunty Jenny is so excited to be hosting the Campground again this year, and looks forward to meeting you to make it another awesome Tent City.

To register, go here.

critical animals program ; oct 2 – 6 ; 2008

September 10, 2008 by banalasanything

see the full this is not art program here

.

Thursday Oct 2: 9.00 – 9.30
City Hall Hunter Room
Forum

CRITICAL ANIMALS WELCOME
Come & meet fellow Critical Animals & make a home in our nest for the next three days. Tea, bickies & introductions.

Facilitators: Astrid Lorange and Britt Guy

.

Thursday Oct 2: 9.30 – 11.00
City Hall Hunter Room
Panel

ARCHIVES, COLLECTIONS & IMAGINED HISTORIES

A discussion on the processes, techniques & eccentricities of the artistic archive & collections. The preservation of a local zine history, the fetishised curiosities of Post-It notes hidden in library books & the secret, mythologised collections of the unknown subject.

Facilitator: Tiffany Hambley
Featuring: Jessie Lymn, Astrid Woods-Joyce, Britt Guy

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Thursday Oct 2: 11.30 – 13.00
City Hall Hunter Room
Artist Presentation

PATHOLOGIES OF CIVILISATION

A matter & fact panel on how progress is killing us. Three papers track the gratuitous, invidious or unwitting violence of the civilised: the habitat of YouTube, bottled water & militant heirloom gardening.

Facilitator: Nick Keys
Featuring: Patrick Jones, Meg Ulman, Peter O’Mara

.

Thursday Oct 2: 14.00 – 15.30
City Hall Hunter Room
Artist Presentation

A POETICS: QUIDDITY, CONTEMPORANEITY & ‘THINGITUDE’ IN AUSTRALIAN POETRY

A radical history in three papers: experimental, pre-Malley Australian poetry with Michael Farrell; notions of failure in the work of Christopher Brennan & Michael Dransfield with Derek Motion; & catachresis in Gig Ryan’s poetics with Sam Langer.

Facilitator: Astrid Lorange
Featuring: Michael Farrell, Derek Motion, Sam Langer

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Thursday Oct 2: 16.00 – 17.30
City Hall Hunter Room
Performance

THE WANDERER
A collective performance of Christopher Brennan’s most well-known sequence of poems, ‘The Wanderer’. Fourteen writers will each be reading a part of the sequence followed by their own creative response. The performance will question the creative ’self’ functioning within poetry. But it will not be an isolated quest & this is where the difference lies. At stake are issues not local to one particular ego. And therefore: what is the nature of a poetic ‘performance’? Are there answers?

Facilitator: Derek Motion
Featuring: Ivy Alvarez, Fiona Wright, Patrick Jones, Kate Fagan, Michael Farrell, Nick Keys, Tara Mokhtari, Peter O’Mara, Tim Wright, Jenna Gill, Astrid Lorange, Nathan Curnow, Tom Lee, Derek Motion

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Thursday Oct 2: 23.00 – 24.00
Lock-Up Exercise Yard
Reading

THE GHOST POETRY PROJECT: A LATE-NIGHT HAUNTING
“Language is how ghosts enter the world.” Nathan Curnow reads from his Ghost Poetry Project, a collection of poems he composed during nights spent in haunted spaces. His poems play with the sensuality of masochism, the memories of his childhood night paralysis & the project of the poetic ‘I’. Meet outside Festival Club 22.30 to walk in convoy to the Lock-up.

Featuring: Nathan Curnow

.

Friday Oct 3: 9.00 – 10.00
Uni House Round Theatrette
Reading

BREAKFAST READING: COFFEE, CROISSANTS & POETRY
Michael Farrell, one of Australia’s most interesting experimental poets, reads from his newly published collection, a raiders guide, joined by fellow Melbourne poet, Sam Langer. Come & join this breakfast reading with a coffee, croissant & some radical language innovation.

Facilitator: Astrid Lorange
Featuring: Michael Farrell and Sam Langer

.

Friday Oct 3: 10.30 – 12.00
City Hall Hunter Room
Panel

FEMINISM, AESTHETICS & THE BODY

Three artists engage in various nuances of feminist discourse: the woman in literature, postfeminism, queer verse, the comic woman, the female body, motherhood & the performances of gender.

Facilitator: Sarah-Jane Norman
Featuring: Holly Zwalf, Toni Bartlett, Miriam Hall

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Friday Oct 3: 13.00 – 14.30
City Hall Hunter Room
Panel

AGE, SEX & THE NEGOTIATION OF SELVES
A discussion about sexuality, gender performance, age & the experience of the self: Educational institutions, the academy, masochism, paralysis & the many negotiations of the self in the artistic project.

Facilitator: Miriam Hall
Featuring: Ianto Ware, Emma Elita, Nathan Curnow

.

Friday Oct 3: 15.00 – 16.30
City Hall Hunter Room
Presentation

CONTEMPORARY ARTISTS & THE SPACES BETWEEN
Contemporary artists talk about their work: installation, experimental film and performance converse with the experiences of the everyday. The dialogue transcends the traditional, aiming to open up notions of art, thought & experience, to engage with a wider narrative.

Facilitator: Britt Guy
Featuring: Renee Tamayo, Nicolas Vogelpoel, Sarah-Jane Norman

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Friday Oct 3: 17.00 – 18.30
City Hall Hunter Room
Panel

COLLECTIVITY, COLLABORATION & SOLITUDE

A conversation about the various compositional tensions of collaboration & solitude. Artists discuss the nature of collaboration & talk about collectively composed works, as well as the solitary project & the curious experience of the ‘hermetic closet’.

Facilitator: Tiffany Hambley
Featuring: Jane Kreis, Janet Starr, Jane Naylor, Christelle Davis

.

Friday Oct 3: 17.30 – 18.30
Lock-Up Exercise Yard
Special Event

BOOK LAUNCH: HOW TO DO WORDS WITH THINGS

Patrick Jones & Peter O’Mara launch their new collaborative publication, How to Do Words with Things. The book – printed on wood-free paper with vegetable inks – is in two parts. Jones will read from his ‘Freedragging Manifesto’, an exploration of slow text, pop-fascism & the compositional process of chance procedures. O’Mara will read from ’subtext’, a collection of work focused on intermedia environments for word & image.

Facilitator: Nick Keys
Featuring: Patrick Jones, Peter O’Mara

.

Friday Oct 3: 21.00 – 23.30
View Factory
Special Event

EVEN BOOKS PRESENTS: SLAUGHTERHOUSE-FIVE
LISTEN: Come unstuck in time as Even Books and a particularly trixy tribute band re-enact the interactive Slaughterhouse 5 show! Part musical, part actor-action, part audience jumping about, part porn, it was written by proto-seminal band The Colors, in rumoured collaboration with Kurt Vonnegut himself. Get reading in preparation for a night of time-travel and other treats. Poo-tee-weet …

Facilitators: Angela Bennetts and Alice Fenton

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Saturday Oct 4: 10.00 – 11.30
City Hall Banquet Room
Panel

RADICAL METHODOLOGY, DECONTEXTUALISATION, BROCOLAGE & (UN)CREATIVE PRACTICE
A discussion on the dynamic practices of the artist-as-researcher. Non-traditional methodology is investigated in terms of multiple, convergent, contiguous & anarchic discourses that gather together across creative inquiries. Also noting the role of traditional quantitative & qualitative forms, while maybe considering a guerilla make over.

Facilitator: Britt Guy
Featuring: Anna Cooke, Linda Neil, Caroline Vains

.

Saturday Oct 4: 12.00 – 13.00
City Hall Banquet Room
Presentation

MAPPING A POETICS OF SPACE: PSYCHOGEOGRAPHY, LIVED CITIES & REMEMBERED CITIES
Two papers explore the spatial dimensions of theory. One looks at the confusion & partiality of contemporary Rome, while the other uses the Situationists’ derive to produce an interactive, psychogeographic map of the shopper in the city.

Facilitator: Astrid Lorange
Featuring: Caroline Vains, Olivia Hamilton

.

Saturday Oct 4: 14.00 – 15.30
City Hall Banquet Room
Performance

TIMEKEEPER ZERO

An experimental discussion/performance. A timekeeper issues small pockets of chance-generated air-time in an unknown order, with wildcard entries for voluntary improvisers. Time is used to meditate on the notion of poetics: its materiality and performativity. Drawing on the chance operations of John Cage and Jackson Mac Low, this dodecahedron of poetics will embrace the indeterminacy of ‘now’.

Facilitators: Michael Farrell and Astrid Lorange

.

Saturday Oct 4: 16.00 – 17.00
City Hall Banquet Room
Presentation

DE-MYSTIFYING CREATIVITY

A joint paper looking at the nature of creativity and cultural production. The discussion will investigate the myths and realities surrounding creativity.

Facilitator: Tiffany Hambley
Featuring: Chloe Russell, Sarah Coffee

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Saturday Oct 4: 18.00 – 19.00
View Factory
Special Event

SWAMP E-ZINE LAUNCH
SWAMP is an online zine for Creative Writing Post Grads – a new publication brought to you by the Creative Writing Post Graduate Workshop of the University of Newcastle. Join us as we officially launch this new e-zine with readings from some of the best new writers featured in our first two issues of SWAMP.

Facilitator: Patrick Bryson

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Saturday Oct 4: 19.00 – 20.30
City Hall Banquet Room
Performance

LANDSCAPING AESTHETICS: A COLLECTIVE CONVERSATION
Artists in an experimental collaborative conversation, talking across the boundaries & textures of art, poetry, performance, film, theory & the aesthetics of experience. Allowing artists to talk in the language that they think in, their artform.

Facilitator: Britt Guy
Featuring: Renee Tamayo, Jane Kreis, Astrid Joyce-Woods, Nicolas Vogelpoel, Lauren Clelland, Ivy Alvarez

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Friday and Saturday: 12.00 – 17.00
Playhouse Foyer
Installation

FACE-LIFT

A video installation from a Masters project, ‘Divine Martyr’. A face-lift is performed on a dead pig’s head, in parody of contemporary cosmetic culture. The video face-lift is experienced in a hospital-room installation. The project looks at ancient & modern notions of the martyr.

Artist: Renee Tamayo

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Thursday to Monday: 24 hours
Playhouse Window Box
Installation

PRODUCT PLACEMENT
‘Product Placement’ explores the overwhelming & intimidating power of surveillance. ‘Product Placement’ is an installation consisting of rough transformation of domestic objects into ‘spy devices’ that capture an audience member walking into an installation & responding to the visual experience.

Artist: Astrid Woods-Joyce

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Thursday to Monday 12.00 – 18.00
Staple Manor
Installation

THE ROPE DANCER ACCOMPANIES HERSELF WITH HER SHADOWS, REVISITED. (2008)

A carousel of sharpened pencils, sharp shadow & nauseating movement. Materials used: Wood, metal, 604 HB pencils, Tigers Tail & threaded rod.

Artist: Miriam Chatt

.

Friday, Saturday Sunday: 13.00 – 15.00
Civic Park
Performance/Installation

THE EKPHRASTIC AGENCY

A free art customisation service for all: The Ekphrastic Agency, a mobile office, specialises in boosting its clientele’s cultural credibility by carefully selecting & matching an artist’s practice to the client. The client then has custodianship of this information for the period of one month, & can describe the artist’s work to others at dinner parties, morning teas, bus queues or just ponder for quiet reflection & personal enrichment. Conversation starters are supplied in clients’ kits.

Featuring: Jane Naylor

calls for proposals now open

February 18, 2008 by banalasanything

CRITICAL ANIMALS 2008 – CALL FOR PROPOSALS

Critical Animals, a creative research symposium held during This Is Not Art, is now calling for proposals for papers, panels, presentations, performances and exhibits.

SUBMISSIONS CLOSE MARCH 31, 2008

The symposium brings together students and researchers who are critically engaged in creative and experimental art practices. It is an opportunity to present papers, research material, and creative practice with the thought to create discussion and collaboration. All artists, writers, thinkers and part-time philosophers are encouraged to apply.

Critical Animals is calling for proposals in the following areas:

Papers, panels & presentations
Research material on poetics, politics and aesthetics welcome! We are keen to receive proposals from students and artists who are researching specific areas of theory and philosophy. Experimental and/or creative presentations are encouraged. Please also let us know if there is a particular area of study which you are keen to see represented by Critical Animals, even if it is at the starting blocks of brilliance.

Performances, exhibits, events
We invite artists to perform or exhibit their work. We are especially interested in performances, installations and exhibitions which can be organised alongside conversation or interacted with by other thinkers/artists. This is also a place to propose a Critical Animals events; Readings, explorations, tours or beer and Baudrillard at a pub, perhaps.

Please include a short proposal outlining your work and the way in which you would like to present it, include within this your name, address, contact details and a short bio of yourself. If you would like to be involved with Critical Animals but you do not have a proposal, contact us anyway. We may be able to find a suitable event for you to be involved with.

Proposals, questions, ideas and concerns will be received at criticalanimals@gmail.com

Cheers,
Britt Guy and Astrid Lorange