Tag Archives: Critical Animals

Meet the 2012 Team

While you are all busily preparing your proposals for this year’s festival we’d like to take a moment to introduce you to the newcomers to our Critical Animals 2012 team! Joining ongoing directors Julia Shaw and Yolande Norris are:

Sophie Lamond; Director (2012 – 2013)
Sophie Lamond has recently returned to Sydney after completing an honours degree in Art History and Curatorship at the Australian National University in Canberra. She’s recently escaped a life as a professional volunteer and intern and begun working as an art educator on Cockatoo Island on Sydney Harbour. Sophie is interested in eco-critical art, architecture, collaborative and interdisciplinary artistic practice and relational aesthetics. Sophie has been a long-time visitor to This is Not Art, presented at last year’s Critical Animals and is thrilled to be a director in 2012.

Tulleah Pearce; Director (2012 – 2013)
Tulleah Pearce is an arts administrator, reader and occasional writer working in Western Sydney. She has previously worked for a private art collection and in commercial galleries. In 2010 she completed her Art History thesis at COFA exploring national identity, globalisation and biopolitics in contemporary Indian art – She is too afraid to reread it (in case of typos). Her interests include political theory, social history, museology and critical theory, as well as hybrid, ephemeral, and conceptually driven art practices. This is her first Critical Animals, please be kind.

It’s so great to have these ladies on board and we can’t wait for their input into the 2012 program. We are also excited to introduce our new Program Coordinator:

Beau Anthony Deurwaarder; Program Coordinator
Beau is a young whirlwind of creative energy, thrilled to be a new addition to the Critical Animals project this year. Whilst writing his honours thesis in Philosophy and English, a continental analysis of innovation and its constitutive social and political  dimensions, Beau works during the week in disability support, during the weekend as a filthy Melbourne DJ, and at all given moments in between as a certified fun and mischief maker.

We look forward to meeting you all in person at Critical Animals 2012! Don’t forget – proposals are due April 1st

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Critical Animals 2012 – Proposals NOW OPEN

Angela Woda and Jade Cantwell, Empirical Adventures through an Architectural Wonderland, Critical Animals 2011. Photo by Luke Kellet

Critical Animals are now calling for proposals for participation in their 2012 symposium.

DEADLINE – 1 APRIL, 2012

 Critical Animals is a forum for curious individuals who are critically engaged with creative and experimental art practices. It is an opportunity to present ongoing research and work collaboratively with other students, writers, artists, designers and thinkers.

Critical Animals aims to strengthen the links between practice and theory with a flexible definition of research that encompasses creative, experimental, interrogative and practice-lead approaches.

The symposium is particularly interested in promoting and facilitating cross-disciplinary and collaborative approaches. In assessing your proposal we will consider how your work may form interesting conjunctions with other artists and thinkers.

This is Not Art and Critical Animals will take place in Newcastle, NSW from 28 September to 1 October 2012.

 Papers, Panels, Presentations and Projects

We are looking to receive proposals from artists and researchers who are investigating or putting into practice specific areas of theory and philosophy – from explorations of form and methodology, to theoretical explorations of contemporary issues. We welcome research material and reflections on poetics, politics, aesthetics, practice-lead research, ecological art and ecopoetics, architecture, design, museology, critical theory, social history, hybrid and multi-arts practices and the intersection of art with other disciplines or the everyday.

Experimental and non-traditional presentations are encouraged. Papers and Presentations generally allow for 20 minutes per artist, plus discussion. Critical Animals invites also artists to perform or share their work.

Proposals

In your proposal please outline your practice, your project (if applicable) and the way in which you’d like to present it. Where possible, be specific. Take up to 500 words. We’re also looking for artists who can be involved in cross-festival events and panels with artists from the other TiNA programs.

1 – In your proposal please include:

- Name

- Phone Number

- Email Address

- Website (if applicable)

- University or Institution (if applicable)

- Short Bio (25 Words)

- A Bio Pic (300dpi with credits where applicable)

If you have any great images of your work please feel free to add them as well. Please note that all images supplied may be used for both Critical Animals and TiNA publicity.

2  - Have you applied to other This is Not Art Programs? If so, which?

National Young Writers Festival

Crack Theatre Festival

TiNA special project proposal

Would you like to programmed across other TiNA Festivals? Again, which?

Are you involved in any events happening around TiNA?

If you would like to be involved with Critical Animals but you do not have a proposal, contact us with details on your interests or areas of expertise and how we might use your skills in the festival.

Submit proposals, ideas and any questions to critical.animals@gmail.com.

You can download a PDF of these application guidelines HERE

We look forward to hearing from you!

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Critical Animals 2011 – Done and Dusted

We’ve had a few weeks now to recover (mostly), and to soak it all in, and it’s safe to say that Critical Animals 2011 was a hands-down success. We had diverse, challenging and thoroughly entertaining panels, rip-roaring ‘Nights at the Gun Bar’, and the most fun workshop ever had by anyone, anywhere (we think).

A wonderful surprise was the huge audience turnout – our venues were packed full of lovely folk contributing to passionate discussion, asking interesting questions and ultimately making Critical Animals everything that it aims to be about. Not even a torrential deluge and unsettlingly close lightening strikes could keep you lot at bay, so thank you all who came along, participated and became part of the Critical Animals family – you make it all worthwhile.

Huge gratitude goes out to our 2011 artists – to all those who travelled at their own cost, from far and wide, to join the conversation and to share their skills, talents and research. Thank you for your generosity – it was an honour to work with each and every one of you, and we can’t wait to see what amazing things you do next!

We must also say a huge thank you to our awesome venues and their staff who went far above and beyond. Thanks to Dean at The Royal Exchange for being so accommodating, keeping the place looking great and our sound running smoothly. Thanks also to Lance at The Lock Up for being the best problem-solver ever – we couldn’t have done it without you!

Thank you to our TINA family – to coordinator Eliza Adam and to the directors and staff of Crack Theatre Festival, Electrofringe and the National Young Writers Festival. We couldn’t ask for a more inspiring crew to be surrounded by, or a more amazing festival to be associated with.

Last, but not least, a massive thank you to our generous sponsors: Newcastle University, Macquarie University, University of Technology Sydney and Copyright Agency Limited, and thank you to everyone who has offered us support, advice, or has volunteered a helping hand.

It’s been swell, we miss you all already.

xo the CA team

PS: pics from the festival coming soon!!

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What The People Want

Naturally you’re all falling over yourselves to find out what’s in store for Critical Animals and This Is Not Art this year. While we’re putting the final touches on the program overall, we can reveal to you our 2011 TINA highlights package! Click HERE to check it out.

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TINA 2011: It’s On

Official announcement from This Is Not Art HQ:

This Is Not Art and Octapod would like to express our heart-felt gratitude for the incredible community support which  has  raised a massive $9,250 and counting through the Pozible site.  This show of support has also been  the catalyst for additional financial support.

Copyright Agency Limited (CAL) has recently come forward and generously pledged to deliver another $9,000 by matching donations dollar for dollar.

CAL is a not-for-profit, member-based company which provides practical support to artists, authors and those working within the creative industries, in regards to management of copyright.  Connecting  the creators, owners and users of copyright material.

CAL Cultural Fund Manager, Zoë Rodriguez, has indicated “TINA is an amazing five day showcase of young and emerging Australian talent. It’s vital we continue to do all we can to assist in mentoring new talent and deliver exciting creative works and performances from these established festivals,” Rodriguez said.

In addition to this we have received a strengthening of in-kind support from local businesses and  RPM Productions  has graciously pledged $2,000 of in-kind technical  support .

To add to this, Newcastle City Council  discussed TINA as an agenda item at the most recent council meeting deciding to increase their financial support and include provisions for better planning and assistance for TINA into the future.

The This Is Not Art festival coordinators and the Octapod Association have been overwhelmed by the amount of support shown, it has  reasserted the relevance of the festival and boosted morale in a way that can not be described.

Crisis averted

And so TINA and Critical Animals is set to go ahead better than ever, September 29 – October 3, Newcastle NSW. Visit the spiffy new This Is Not Art site to get you in the mood.

Critical Animals would like to extend our sincere thanks to everyone who donated toward TINA 2011, or helped get word out about our funding – none of this is possible without you, and we can’t wait to bring you this year’s festival.

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Hard Times

This Is Not Art has recently received some sobering news about funding for this year’s festival. Read on for the official press release, as published on the Octapod’s blog.

According to Festival Coordinator Eliza Adam, TINA has been notified that its current triennial funding would not be renewed.  This means with just 12 weeks until the annual arts festival is scheduled to kick-off the TINA operational budget is $18,000 short of its financial need.

“Without this money there is a very real threat to the festival.  If we can’t find funding within the next 2 weeks to we will have to make some very hard decisions,” said Adam.

The TINA festival, held annually in Newcastle since 1998, was established to support the development of contemporary arts practice on a local and national level.

The high profile event attracts over 5,000 participants and artists from all over the country and overseas and generates over $1.5 million for the local economy.

“This threat to the festival will result in financial loss for local business and a drop in cultural tourism.  We have had many local businesses expressing concern that this will impact upon their annual income “said Adam.

Each year the festival which, presents a diverse program of over 250 free events across the five-day festival, showcases the work of over 400 national and local artists, presenting a program of discussion panels, theatre performances, research forums, hands on workshops and visual art exhibitions and installations.

Writers, arts workers, media makers, thespians, musicians, physical performers, sound artists and visual artists travel from across Australia and overseas, to showcase their work, network, collaborate and develop new skills.

Adam claims the loss of funding will affect the entire festival, and will directly impact its production values.

“It’s challenging to say the least, to present a festival which involves theatrical and musical performances without lighting, staging or sound. This will directly impact the audience experience and the ability of artists to present their work authentically,” she said.

Despite the strong support received from The Newcastle University of Newcastle and Arts NSW and a handful of in-kind venue support, TINA’s budget is still short of a substantial cash injection in order to ensure the high quality of this year’s festival.

“If we don’t have sound and lighting many aspects of the festival may not be able to go ahead in its usual format, if at all so further support is vital,” she said.

TINA is now calling for the Newcastle community to lend its support in order to maintain its culturally diverse, rich and sustainable arts sector.

TINA is seeking both sponsorship from businesses and private donations.

We at Critical Animals are doing everything we can to support This Is Not Art, and to ensure we all have the best experience possible come festival time. You can help us by getting word out about the situation through your own networks – we’ll keep you posted with updates as they come to hand. Parties interested in supporting the festival can contact the TINA team via:

Website : www.thisisnotart.org

Phone : 02 4927 0675

Email: admin@thisisnotart.org

Thank you all for your continued support!

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The Countdown Begins

The Critical Animals team is reporting to you fresh from the This Is Not Art programming meeting in Melbourne, meaning we’re hurtling towards festival time! All Critical Animals submissions have now been reviewed, so if you made a proposal to be involved in CA this year you will be hearing from us shortly – thanks for your patience while we plow through all the amazing applications. In the meantime, regardless as to whether you’re a presenter or audience member, now is the time to start planning your trip to TiNA 2011. The dates are September 29 – October 3 and the place is Newcastle, NSW.

The This is Not Art site has information about travel and accommodation, and Critical Animals will also be posting some practical tips for visiting this year’s festival over the coming months. Happy planning!

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New Friends

Congratulations to Canberra-based designers New Best Friend, who have been selected to develop the branding and program for This Is Not Art this year. We look forward to working with them!

Don’t forget to check up on current opportunities to collaborate with the festival by stopping by the This Is Not Art site.

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